![]() ![]() Moving to Philadelphia, Mering continued to develop her sound, sometimes playing shows billed as Wiseblood, sometimes joined by a rotating cast of backing players she dubbed the Dark Juices. ![]() Weyes Bluhd embarked on several tours, including a European stint with Brooklyn experimental act Axolotl. Originally billing herself as Weyes Bluhd, Mering's earliest releases arrived in the form of limited-edition cassettes, a great testing ground for her darkly folky songs that twisted around noisy, electronic undercurrents. Multi-instrumentalist Mering cut her teeth in the world of noise and experimental rock, playing bass in Portland-based freak rock collective Jackie-O Motherfucker for a time before venturing out solo around 2006. ![]() Starting out as part of the noise underground, she eventually cleared the sonic detritus away from her songs until they resembled more traditional folk and soft rock on gorgeously produced albums like 2019's Titanic Rising or 2022's And in the Darkness, Hearts Aglow. Slowly progressing from experimental beginnings to more traditional modes as her creative output took shape, Natalie Mering's work as Weyes Blood grew more straightforward without losing its haunted edginess. ![]()
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